Terence Fisher’s Stolen Face (1952) returns in a stunning new 4K presentation sourced from the original negatives. Long before Hammer’s Gothic era took shape, Fisher crafted a tense psychological thriller exploring identity, desire, and the moral cost of trying to reshape another person. In one of her most layered performances, Lizabeth Scott appears both as the elegant musician who rejects the surgeon’s advances and the criminal he remakes in her image. The result is a haunting mirror that driv

“The Goat of Mendes… the Devil himself.” Terence Fisher’s The Devil Rides Out (1968) remains one of Hammer’s most restrained and most effective horrors, a masterclass in tension, atmosphere, and occult imagery. With Richard Matheson’s tight adaptation of Dennis Wheatley’s novel, and Christopher Lee switching from villain to van Helsing-style hero, this scene is a standout for its pure 60s horror vibes. Also: that goat? Still nightmare fuel. | Hammer Films