Missouri voters approved a measure to protect abortion rights, but opponents have repeatedly blocked it from taking effect.

Currency named for a continent: four letters.

Jill Lepore, a staff writer, has been contributing to The New Yorker since 2005. Her books include “We the People: A History of the U.S. Constitution”; “The Name of War,” which won a ...

A vaccine expert warns that the Secretary of Health and Human Services is deliberately sowing confusion in order to drive ...

The tennis star has been fixing her flawed serve at the U.S. Open, subjecting herself to the exquisite torture of public scrutiny.

Listening to the convicted sex offender’s lengthy interview reveals that she and her interviewer had one goal—to satisfy Donald Trump.

The artist’s latest album, “The Passionate Ones,” catches your weariness, and, with a dreamer’s irrationality, asks if you would consider transforming it, even for a while.

In “El Monte,” the Cuban American photographers construct a dizzying world inspired by a seminal work of ethnography.

Talk shows have long brought musicians into our living rooms, giving them steady gigs and creating occasional musical magic. But maybe not for much longer.

Jurors in New York were asked to decide whether Nicole Daedone’s once high-profile California company, OneTaste, promoted a culture of empowerment or exploitation.

Lex Yard, in the newly restored hotel, tries for maximalist seasonal cooking creative enough to draw in finicky locals and anodyne enough to satisfy an international clientele.

Kate Riley’s début novel, “Ruth,” is about the workings of an insular religious community—and the irresistible pleasure of ...