Simone Pennant MBE, founder and CEO of The TV Collective takes us on a personal journey to the Zanzibar International Film Festival, exploring its increasingly vital role as the UK, Europe and the US ...

Rógan Graham, a critic and programmer with a focus on Black and female filmmakers, recounts the highlights from her 'Black Debutantes' season at BFI Southbank in London.

Castle's documentary Shoot the People focuses on Oscar-nominated British Nigerian photographer, filmmaker and activist Misan Harriman, who was the first Black man to shoot a cover of British Vogue, ...

Josh O’Connor plays a priest suspected of murder in Rian Johnson’s latest Knives Out mystery. We spoke to the actor and director about the big themes and ensemble dynamics underlying this darker entry ...

Born in Wales 100 years ago, actress Peggy Cummins is best remembered for her turn as the gun-toting bank robber in the 1950 noir Gun Crazy. But that same year, British critics preferred her starring ...

Ring in the new year with a trio of Buñuels, a wealth of Wisemans and a subscription exclusive: Marion Cotillard in the acclaimed dark fairytale The Ice Tower.

Ari Aster's Eddington, in which Joaquin Phoenix's conspiracist sheriff and Pedro Pascal's tech-friendly centrist lock horns in an election, lays bare the deep divisions in the American psyche. The ...

Joachim Trier's melancholy, playful film, which examines the reckoning that takes place between a selfish film director and his estranged daughters in the wake of their mother's death, is exquisitely ...

James Cameron’s sprawling ensemble piece sees the Na’vi fighting against diabolical human colonisers once again, but it’s more concerned with scale than sophistication.

Director Josh Safdie has pulled together a vibrant gallery of New York characters for a never-say-die American story that’s bursting with humour and that trademark Safdie kineticism.

As a new collection curated by Sofas & Stuff arrives on BFI Player, we spoke to the Sofas & Stuff team about their favourite festive films and viewing traditions.

Alfred Hitchcock often preferred sets to real locations and – eerily empty of actors and action – these photographs show his constructed backdrops for the Highlands, train and Palladium sequences of ...