The Wu-Tang Clan artist’s commanding voiceover connects passion, performance and heart to promote Beats’ Powerbeats Pro 2 ...

This romantic lens applies not just to the scripts but to the environments too, with London shown in a decidedly rose-tinted light – even when the rain inevitably strikes. “It’s about humour, optimism ...

Most football clubs in the top tiers of English football have their own creative departments, but what makes Southampton FC’s in-house studio, Turf, a unique proposition is the fact that it is ...

Born out of Brooklyn-based Pioneer Works, the magazine seeks to translate the cultural centre’s experimental approach to the ...

Speaking at the London event, the UK minister expressed how vital the “ecosystem” of the creative industries is and pledged a ...

CR explores a growing interest in folklore, standing stones, paganism, and seasonal celebrations and why more brands should ...

The painter and illustrator, who is based between Taipei and Brussels, shares how she blends her two worlds in her dreamlike ...

Following its acquisition by Netflix, the Roald Dahl Story Company’s new identity includes the mischievously titled custom typeface Fantastic Mr Font ...

Created by OpenAI’s in-house team, Studio Dumbar and ABC Dinamo, the new identity aims to align the brand’s design system ...

The US’s big ad game took place last night - we pick our favourites and look for any trends that can be found in this year’s ...

DDB Worldwide’s global CCO shares how she hustled her way into a creative career, and explains why leaders need to trust and ...

In 1994, Pentagram New York was brought on board to shape a new visual identity for arts organisation The Public Theater. With Paula Scher at the helm of the project, The Public Theater gained a fresh ...