ComingSoon recently spoke with Reacher production designer Naz Goshtasbpour about his work on the acclaimed series. Check out the interview below to hear his thoughts on practical effects versus CGI ...

ComingSoon Senior Editor Brandon Schreur spoke to Gladiator II production designer Arthur Max about the Ridley Scott-directed sequel starring Paul Mescal. Max spoke about his experiences building the ...

Before teaming up for “Beetlejuice Beetlejuice,” production designer Mark Scruton and set decorator David Morison were both “huge fans” of Tim Burton‘s original 1988 film. “I had it on a VHS. I think ...

The season finale involves Joanna crashing a Bat Mitzvah. The production designer explains, “We scouted so many places for the finale. A lot of people don’t understand the quick pace we are trying to ...

In Season 2 of the series, Louis recounts leaving behind New Orleans for post World War 2 Europe as he looked for fellow vampires. This took the show’s production to Prague. LePere-Schloop says, “the ...

Since starting out on Edgar Wright’s lo-fi 1995 feature debut, A Fistful Of Fingers (a film, it’s tagline boldly claimed was, ‘The Greatest Western Ever Made… In Somerset’), Simon Bowles has ...

Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss ...

When approaching his designs for Adolescence, production designer Adam Tomlinson says the most important aspect was to keep the flow going on set. Although filming an episode in a one shot is the job ...

Production designer Cara Brower tells IndieWire about being playful with period details in order to give the audience a sense of who Hedda (Tessa Thompson) really is. “So when I met up with Nia, she ...

Laurin Kelsey also spoke to The Hollywood Reporter about rebuilding sets after Frank Langella's departure, the Usher's distinct colors and those easter eggs to a master of the macabre. By Abbey White ...

Production designer Alexandra Schaller tells IndieWire about striking a balance between the tactile and the dreamy in Clint Bentley's beautifully meditative film. Clint Bentley’s latest film, “Train ...