Pre-Raphaelite Sisters will prove that the movement’s women were not simply ‘passive mannequins’. Did you know with a Plus subscription to Shropshire Star you get full access to our award winning ...

Pre-Raphaelite artist John Everett Millais’ painting The Blind Girl (1854–56) shows two girls sitting in a bright green meadow with a double rainbow in the background. While the younger girl stares ...

'Direct and serious and heartfelt': The Pre-Raphaelite movement -- The first generation: 1848-65. Anna Mary Howitt. Joanna Boyce. Rosa Brett. Anna Blunden. Elizabeth Siddal -- The second generation: ...

There she is in Order of the Release, 1853 (pictured right), posing as the wife of an imprisoned Jacobite Highlander. I like to imagine this brilliant composition as a reflection of her marriage.

On a wall among the hushed halls of a late medieval Dominican convent in Forlì, near Bologna, you will find the image of a group of four barefoot and beautiful young women eternally gathering pebbles ...

A young woman with sunkissed cheeks and long auburn hair is curled in sleep, her sheer Grecian dress fanned out and filling the canvas with a tangerine hue. She dozes on a marble terrace, a gold ...

Evelyn De Morgan, “Flora” (detail) (1894), oil and gold leaf on canvas (© De Morgan Collection, courtesy the De Morgan Foundation) A Marriage of Arts & Crafts: Evelyn & William De Morgan, opening ...

46 x 37 cm. (18.1 x 14.6 in.) Subscribe now to view details for this work, and gain access to over 18 million auction results. Purchase One-Day Pass ...

red chalk on pale cream wove paper, heightened with touches of white chalk, and a few touches of graphite laid down on modern backing paper ...

Visitors to a new exhibition in England will not only be able to look upon painted scenes and characters: They’ll be able to smell them, too. “Scent and the Art of the Pre-Raphaelites,” which is on ...

The English don’t really like art,” a celebrated (English) abstract sculptor told me, some time ago. “We like literature and nature—gardens and landscape. That’s why we admire all those artists who go ...